MY OWN TEACHERS
I’m forever grateful to ELIZABETH IZATT, my singing teacher at RSAMD in 1980, who believed in me, laid the foundation of good singing practice on which to build my voice and who instilled in me the confidence that I could make the transition from second study to first study singer having been a first study pianist for so long.
She also taught me to listen with critical ears. I am still learning! She welcomed many of us to her home as young students and adopted us all into her family circle. She is my very good friend and mentorto this day.
MARION STUDHOLME RCM (1984-86) helped me as I bravely learned to spread my wings as a rookie singer in London! She took me forward technically and introduced this young mezzo to life above a top F (!), introduced me to opera and helped to launch me into the profession with my very first audition package! She and her husband Andrew cooked the best chilli con carne in London and we loved our invites to a weekend at her country house which felt like a home from home when I was in London.
I was very proud and honoured to be asked to sing a farewell recital for her at the RCM when she retired from teaching there. These were extremely formative years and were happy times. Marion and I exchanged Xmas cards every year. she was always on the end of the phone for advice and encouragement and, on the few occasions we are still able to meet up, we clicked as we always did.
I’m also eternally grateful to TIM DEAN now a colleague all these years later at RCS, who gave me my first ever job in Kent Opera Chorus in 1985 thus helping this impoverished mezzo to pay for her second year of PG at RCM! It was my first introduction to a world that was to become my life and, as a young rookie chorister I learned so much. Thanks Tim!
Life After College
After leaving RCM in 1986 I was introduced to MARGARET HYDE who became my teacher, “singing mum” and mentor until her passing in 2010. She pulled all the threads of my previous learning together. She deepened my understanding of technique, stood by me with her wise counsel through all the ups and downs of negotiating the world of opera managements, agents, audition rep, the good experiences and the bad. She taught me that often you have to deal with the person before you can get to the voice. That was certainly the case with me! In her studio, apart from her piano, music stand and mirror her next most important piece of equipment was a box of tissues! They were certainly used!!